{"id":356,"date":"2023-03-22T10:48:44","date_gmt":"2023-03-22T10:48:44","guid":{"rendered":"http:\/\/blasberg.art\/?page_id=356"},"modified":"2023-07-17T00:33:12","modified_gmt":"2023-07-17T00:33:12","slug":"bio","status":"publish","type":"page","link":"https:\/\/blasberg.art\/es\/about\/bio\/","title":{"rendered":"bio"},"content":{"rendered":"
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\n\t\t\t\t\t\t\t\t\t\t\"pablo\t\t\t\t\t\t\t\t\t\t\t
ph: karina vola @karinavolar<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Pablo Blasberg naci\u00f3 en Buenos Aires en 1970. En su adolescencia estudi\u00f3 pintura con Naum Goijman, y dibujo con Carlos Garaycochea. A los 16 a\u00f1os empez\u00f3 a publicar sus primeros trabajos como ilustrador, y a los 18 se incorpor\u00f3 al diario Clar\u00edn como dibujante. Durante una d\u00e9cada trabaj\u00f3 en la redacci\u00f3n de los peri\u00f3dicos de mayor tirada de Argentina: Clar\u00edn (1988 \/ 1993) y La Naci\u00f3n (1993 \/ 1998), ilustrando las noticias diarias.<\/p>\n

En 1998 se instal\u00f3 en Madrid, y desde all\u00ed comenz\u00f3 a publicar su obra en Europa, tanto en peri\u00f3dicos como en revistas y libros. Fue colaborador permanente de los diarios espa\u00f1oles El Mundo, El Pa\u00eds y ABC.<\/p>\n

En 2004 regres\u00f3 a la Argentina, desde donde continu\u00f3 publicando su obra internacionalmente a trav\u00e9s de la agencia inglesa Ikon-Images. Entre 2005 y 2015 ilustr\u00f3 el cuerpo principal del Diario Clar\u00edn. Entre 2009 y 2019 ilustr\u00f3 la p\u00e1gina editorial diaria de El Diario de la Rep\u00fablica. Entre 2011 y 2015 escribi\u00f3 y dibuj\u00f3 la historieta de humor gr\u00e1fico \"Barman, el mozo\", en el Diario Muy del grupo Clar\u00edn.<\/p>\n

En el \u00e1mbito docente, ha escrito m\u00e1s de 300 art\u00edculos period\u00edsticos en las revistas Macworld, Personal Computer, PC Today y ComputerHoy sobre t\u00e9cnicas de dise\u00f1o e ilustraci\u00f3n digital. Imparte conferencias y formaciones en universidades y empresas de todo el pa\u00eds. Actualmente es ilustrador y Jefe de Infograf\u00eda de la Agencia Nacional de Noticias T\u00e9lam.<\/p>\n

Desde el a\u00f1o 2000 desarrolla una obra pl\u00e1stica en paralelo a su trabajo como ilustrador. Ha asistido a los talleres de los maestros Carlos Ur\u00eda<\/a>, Fernando O’Connor<\/a>, Miguel Ronsino<\/a>\u00a0y\u00a0Juan Astica<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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premios<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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    \n
  • 1989 | <\/strong>\u201cConcurso Clar\u00edn para ilustradores y caricaturistas\u201d > Segundo Premio<\/strong><\/span><\/li>\n\n
  • 1990 | <\/strong>\u201cBienal de Arte Joven\u201d Ciudad de Buenos Aires > Primer Premio<\/strong><\/span><\/li>\n\n
  • 2020 |<\/strong> \u201c43\u00ba Sal\u00f3n Anual de Pintura Enrique Jos\u00e9 de Larra\u00f1aga\u201d> Menci\u00f3n Especial<\/strong><\/span><\/li>\n\n
  • 2022 |<\/strong> \u201c37\u00b0 Sal\u00f3n de Pintura, Colegio de Abogados de Mrcedes\u201d > Menci\u00f3n Especial<\/strong><\/span><\/li>\n<\/ul>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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    exposiciones<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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      \n
    • 2023 |<\/strong> \"Ser o no ser\", Teatro Tal\u00eda (Mercedes, BA)<\/li>\n
    • 2023 |<\/strong> \u201cDe la figuraci\u00f3n a la abstracci\u00f3n\u201d, Estudio de Arte Cueto (Mercedes, BA.)<\/li>\n
    • 2022 |<\/strong> \u201cHumor en Cuadritos\u201d, Estudio de Arte Cueto (Mercedes, BA)<\/li>\n
    • 2022 |<\/strong> Sal\u00f3n Anual de Pintura (Mercedes, BA) Seleccionado<\/li>\n
    • 2019 |<\/strong> \u201cProcesos Creativos\u201d Dibujos y Pinturas. Museo Municipal de Arte MAMM (Mercedes, BA)<\/li>\n
    • 2013 |<\/strong> \u201cPeriodismo sin palabras\u201d, Museo Hist\u00f3rico V\u00edctor Miguez (Mercedes, BA.)<\/li>\n
    • 2013 |<\/strong> “Let’s put out the abuse”. Travelling exhibition that began in the Community of Madrid  to commemorate the Day against Gender Violence. It travelled throughout Spain, Portugal and some European capitals.<\/li>\n
    • 2010 |<\/strong> \u201cIlustraci\u00f3n Editorial\u201d, ilustraciones de opini\u00f3n en V\u00eda Rivadavia (San Luis)<\/li>\n
    • 2009 |<\/strong> “Graforismos” Complejo Cultural Ameghino Mar\u00edn (Mercedes, BA.)<\/li>\n
    • 2008 |<\/strong> \u201cGraforismos\u201d Galer\u00eda de Arte Caravaggio (CABA)<\/li>\n
    • 2007 |<\/strong> Exposici\u00f3n de Pinturas y Objetos \u201cGraforismos\u201d Galer\u00eda de Arte Primer Piso (CABA)<\/li>\n
    • 2001 |<\/strong> Bienal de humor Gr\u00e1fico \u201cQuevedos\u201d (Madrid, Espa\u00f1a)<\/li>\n
    • 1999 |<\/strong> \u201cEl tercer milenio\u201d Universidad de Alcal\u00e1 de Henares (Madrid, Espa\u00f1a)<\/li>\n<\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

      ph: karina vola @karinavolar Pablo Blasberg was born in Buenos Aires in 1970. As a teenager he studied painting with Naum Goijman, and drawing with Carlos Garaycochea. At the age of 16 he began to publish his first works as an illustrator, and at 18 he joined the newspaper Clar\u00edn as a cartoonist. For a […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":12,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_vp_format_video_url":"","_vp_image_focal_point":{"x":0.5,"y":0.5},"footnotes":""},"class_list":["post-356","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blasberg.art\/es\/wp-json\/wp\/v2\/pages\/356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blasberg.art\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blasberg.art\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blasberg.art\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blasberg.art\/es\/wp-json\/wp\/v2\/comments?post=356"}],"version-history":[{"count":85,"href":"https:\/\/blasberg.art\/es\/wp-json\/wp\/v2\/pages\/356\/revisions"}],"predecessor-version":[{"id":550,"href":"https:\/\/blasberg.art\/es\/wp-json\/wp\/v2\/pages\/356\/revisions\/550"}],"up":[{"embeddable":true,"href":"https:\/\/blasberg.art\/es\/wp-json\/wp\/v2\/pages\/12"}],"wp:attachment":[{"href":"https:\/\/blasberg.art\/es\/wp-json\/wp\/v2\/media?parent=356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}